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Six emotional statesThis scheme has been adapted from a series of lessons taught at a mask workshop that were designed to increase freedom of physical expression among students. It should enable students to focus more on physicality than on dialogue when working on improvisation. It begins with solo mime work than builds to a series of structured improvisations, as caricature the initial impulse for characters gives way to deeper levels of characterisation. The ideas set

’ It is freedom from the Stanislavskian straight-jacket of tired naturalism and soap opera issues

but is appropriate for anyone who is seeking extra challenges

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A final essay needs to have a certain density of ideas

stage combat can be brilliant fun

Stanislavski and Artaud to the text

To show their final devised pieces or films and for students to summarise their learning on this topic

The scheme consists of five lessons

and therefore weaving elements of drama and performance into the teaching of the topic is

yet highly creative

the whole thing may appear too daunting to achieve

To explore the role of the witchfinders and the fear that they created within a 16th- or 17th-century society