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Andreas Samuelsson – Houses'Over time, I have collected shapes in this case all in the form of houses. I study their details closely: the tilt of a roof, the rhythm of windows, subtle shifts in proportion. My fascination with unique structures is endless, whether its a simple shed or a complex architectural form I hadnt considered before. Communicating through built forms has become central to my practice. A house can carry memories, emotions, and ideas all at once offering

accident or error

where the photographed words are exhibited out of context

Arwed Messmer and Annett Gröschner used these images as the source material for a fascinating photographic and literary project

Published on the occasion of the major exhibition Nathalie Djurberg & Hans Berg: The Secret Garden – curated by Louise Neri and Juliana Engberg – at the Australian Centre for Contemporary Art (ACCA) and the Perth Institute of Contemporary Arts (PICA)

so sleep became the plot but photography is the story

this volume counterpoints the romantic against the absurd and the evocative against the surreal

observing not all are bedded soft and safe

This publication provides a rare insight into the artist’s working practice

As the artist states in the introduction: 'This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work

The Meeting Grounds programme of online

called Pinku

and close associates seek to define more precisely the often silent “situations” at work between object and word

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