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Sebastien Reuzé – SoleilIn 2016, as he walked the streets of Los Angeles, his mind filled with the views of the city captured by Weegee and Garry Winogrand in the 1950s and 1970s, Sbastien Reuz decided to keep all identifiable urban forms out of his lens and concentrate solely on the sun. In a city permeated by the cult of the sun and the counter culture of the Beat Generation, this one to one encounter is essential to capture a vision of the American city that is not so

policymakers

brought the artist together with photographer Camille Vivier

Following on from the sold-out first edition of Tennis Courts

but enacts a wider investigation and subversion of the male gaze and its relationship to both the female body and our imagining of the landscape

Chez Walti retraces the arc of this recent work over the past 23 years and shows how Pfeiffer ﬁne-tuned and renewed his photographic gaze

Similar to him

The studio then becomes a garden

**Now out of print – last available copy

The series contemplates ‘home’ in all its multiplicities

responsive nature of her physical self

spirituality or the social context

Fire extinguishers being launched in romantic landscape settings