Mapping the Moving Image: Media, Agents, and Sites in the Czech Context

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Mapping the Moving Image: Media, Agents, and Sites in the Czech ContextThe publication Mapping the Moving Image: Media, Agents, and Sites in the Czech Context is dedicated to a critical assessment of the practice of the moving image in the Czech art world from the 1970s to the present day. Its central theme is the critical analysis of the relevant planes of negotiation for an autonomous position for this practice. The separate commissioned essays by authors representing the discourses of both art history and film

Max Creasy identifies the way these images are endorsed within social groups and norm circles

masses of ceramic breathing in a metal atmosphere

the Lithuanian photographer Moshe Raviv Vorobeichic (Moï Wer) went to Paris

he remembers riding in the cockpit on an overbooked flight en-route to a Euro Cup final

“His situation

while others are stilted and awkward

making explicit the different roles physical space plays in the human experience of the world

Extended series of foxgloves and waterlilies in various unnatural tones follow

5 × 29 cm

that's all…”Taking it’s clue from Escape-ism song Almost No One (Can Have My Love) this new publication adapts the catalogue format in order to publish a series of works which are to be hung on the wall

Since then

a ritualised nihilism of automotive destruction

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