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Max Wiederkehr – Konkret on AcidMax Wiederkehrs visual idiom was always influenced by Zrichs concrete art, though interspersed with Pop and op art elements. After his initial breakthrough, he turned his back on the established art world and embraced the nascent subculture instead. He drew comics, painted, occasionally exhibited, and went on to make pieces that were still geometrically influenced or inflected, but went beyond geometry to develop a fascinating interplay of calculation

his breath turned to data by a machine

In Hamburg

It was the birth of modern dance

Adam Warlock and X-Men (to name a few)

Her sensibility to formal concerns and evolving ideas about objects over the past forty years makes this book essential for fellow ceramicists and anyone interested in the role of materiality and making in the broader cultural field

containing 135 of his remarkable drawings as well as drafts of letters expressing doubts and suggestions to director Brian Gibson

Made with instant Polaroid 35mm and 4x5 type 55 film formats

While largely overlooked in art-historical discourse

as seen through the window of a moving car

inspired by 80s & 90s visual conceptions of dystopia

On one hand the the book shows how she managed to blend the two worlds by repurposing her commercial works into artistic objects

Try reading each verse out loud twice

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