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Fourth HillMy paintings, expansive and fragmented, contain a sense of luminosity that works its way out from the surface. They recall glimmers of color theory and Venetian tonality, yet move towards a cerebral space in which thoughts remain preverbal and primordial in nature and are built from an inherent geometry. Patterns, colours and relations grow and emerge from reflections of the natural world; a dream of the natural world as it slips through our fingers

Like clouds shifting in the sky

the truth is our health and sanity is whiten the land and sovereignty

glimpses of blue hint at the hidden current between the ordinary bathroom and that boundless light — the origin where form

the piece reflects a deep personal connection to the creative process

Arte Povera or Minimalism have become guides

"Sacral Forest" blends Baroque layering with anatomical forms and the intuitive language of surrealism

remembered

‘Self-care’ is a direct response to abject fatigue caused by being plugged into the world almost constantly

The act of describing silence destroys it

pastel palette of purples

Scarlett considers the bodily connotations of the pocket and the historical etymologies of it’s French translation - ‘poche’

My colour palette draws from patterns found in flora and fauna