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I'll let you know when I had enoughI'll let you know when I had enough' foregrounds instability, approximation, and embodied attention within systems that otherwise demand clarity and legibility. While the work references digital behaviours selfie logic, self exposure, image circulation it operates through analogue presence: weight, reflection, obstruction, and duration. The two way mirror creates a relational space that cannot be fully resolved or computed, where viewing becomes

It’s a painting that stirs a childlike impulse to reach out and touch it

while the sky outside is thick with clouds

evoking a soft

I confront bodily disassociation and ecological disconnect

preserving their physical traces within the plaster moulds

who can be found hiding in different rocky surfaces

Imagine viewing the world through grape skin

transport networks and earthworks

an inroad to mark-making

The sound is warmer

and aurora-lit skies

The paintings develop through layered impasto and oil glazes