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A Jar Of Tears Were CollectedThis work is part of an ongoing series shaped by my engagement with the desert as both physical site and poetic, existential space. Through painting, I explore the relationship between the human body and landscape, using the canvas as a site of material and emotional inquiry. Built through layers of oil paint and partially veiled with pigments and sand, the surface echoes erosion and sedimentation. Here, memory settles like dust, and silence becomes a

subject matter

after the death of his friend

These works enable me to explore the intersections between the stresses of personal circumstances and the large-scale complexities of heritage and immigration

The objects

Two flowers: a freesia

tracing an intuitive geography formed through material memory

similarity

In Byung-Chul Han's terms

shifting landscape

While the work references digital behaviours – selfie logic

These fragments resist the seamlessness of contemporary interfaces

Trees salvaged from the city's many green spaces become vessels of memory

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