Stief DeSmet / Paradise, Prototypes & Other Deconstructions

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Stief DeSmet / Paradise, Prototypes & Other DeconstructionsIn The Member of the Wedding, a 1946 novel by the American author Carson McCullers, the twelve year old protagonist Frankie Addams sighs: They were the two prettiest people I ever saw. Yet it was like I couldnt see all of them I wanted to see. My brains couldnt gather together quick enough and take it all in. And then they were gone. You see what I mean? That Stief DeSmet understands what Frankie means like no other, how could it be otherwise? What he

this space gives credibility to situations by showing a visual code with common rules

and offices

making photography an integral part of his life

and second

as full as can be

it’s been a laboratory that swings us into unknown directions

With this book

while enhancing their magical power

shifting the focus to the model’s bottom

the project has remained largely invisible to the wider public

the collages show us that love is versatile

The exhibition reveals a body of work that intertwines sensuality

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