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Description

HeldCradled in her own arms, 'Held' portrays a woman whose massive forms create a monumental yet fragile carapace. This is a piece exploring those delicate, introspective and often painful moments that are the human condition: we negotiate a world where we must pretend and protect ourselves within an increasingly digitised utopian ideal. The soft layers of oil paint float in ambiguous layers, speaking through the interstices of the regime of bytes.

this piece utilises concrete in an unlikely way to create a smooth to the touch yet bulky coffee table piece

Nicky Hirst’s working method is usually to observe and unravel

This is one of a series of layered papercuts that explores architectural forms in much the same way as the artisans of the Crusades

I prefer the narrative of a vinyl record

The source material for this painting was taken from a poolside view at a hotel in Key West I stayed at years ago

takes a pose inspired by pin up girls often seen on the covers of Japanese boys’ manga magazines

It’s not about denying difficulty

and belonging

yet finding a way to experience a degree of solace can feel desperate

The desire is the thing

the visible and the obscured

I made a series of paintings of a landscape with debris falling from the sky

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