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PleaserI make visceral process driven oil paintings where the surface evolves out of chance encounters between marks and colour, the paintings are often heavily layered and reveal the history and doubt of the decision making. I work on thirty or so paintings at a time which range in scale from intimate to large. Drawings, diagrams or photographs may inform the work in its formative stages, but essentially my work emerges from the physical process of painting.

on the way to the studio or allotment

human sacrifice

industrial buildings and architectural contradictions of Barreiro

I disrupt fixed perspectives

when the world is mud-luscious

Florez makes a comment about the digital addiction in the contemporary age

Inspired by the textures and patterns of birch bark - combination of paper- thin layers in some areas

shifting nature of the universe

In this new moment of my journey

while eight curved

La llamada showcases two farmers in the Andes mountain range executing the ancient practice of transhumance

there is an extra level of drama and intrigue expressed in the scene