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Blues for YouseBlues for Youse is the print companion to a recording of the same name, blues lyrics by Eckhard Gerdes tuned to cadence and the spoken line, several of them performed and recorded with Hobo Coble, Foghat, Yesayes, Thorazine Hammer, Ember Schrag, Brion Poloncic, Bryan Day, and Penelope Gerdes. Gerdes describes his method, across forms, as simply "how I think," a refusal to bend prose or verse to conventional time, space, and causality. The verse sits

frames the book this way: Eckhard Gerdes in his massive

the novel stops being a novel and becomes a play

and Ionesco

and generates a life-and-death struggle between her loyalty to the Laughing Corpse and the pull of Kimberly's need to be a unified self

reads it as a hilarious scripto-visual Dadaist-Derridean quest to solve the impossible question

Ricardo Cortez Cruz called it "rest(less) lit at its finest

It sits with Hugunin's other criticism for the press

It uses incarceration as a metaphorical framework

Her loneliness is held off mainly by two black-and-white

The press has not annotated the Italian edition page by page

Outside the two JEF appearances

That borrowing-and-refunctioning is James R