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Baroness Elsa’s em dashesThe purpose of the em dash is wide ranging as an appropriation of silence, as acting dissonance, as interruption, as occupying space. This anthology zooms into the pointed use of em dashes in the poems of pioneering Dadaist artist, Elsa von Freytag Loringhoven (1874 1927). Her poems; performances; costumes and life style all made a point of challenging extremely bourgeois artistic and moral conventions with an unapologetically feminist, proto punk

Typically a painting generates two spaces: the space where the painting is hung and the space depicted within the painting

the Crouan Brothers

—Nadine Droste

Ginevra Petrozzi

Daniel Gustav Cramer

Julie Safirstein

exhibitions

Eleventh issue of the series “Autobiography”

he would go looking for the kanji 本 he would usually find outside of bookshops on big colorful signs

an attempt to build and to activate a process

We call such experience ‚sublime’

de l’arbre