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'Cape to Cairo' (2019)Dan Halters artistic practice is directly related to his identity as a Zimbabwean living in South Africa. In an artist statement, he has said that this work deals with [his] sense of dislocated national identity, human migration and the dark humour of present realities in Southern Africa. In Cape To Cairo, Halter repurposes excess fragments from previous works, creating this sculptural work for the proto~ Specialised collection. The work is made up of

struggle and creative identity pumping through its veins

“Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town

It is like a pocket studio and research space

Ten Trees Conversations Ctd

These collected images are introduced with essays by artist and writer Paul Edmunds and art historian Emma Bedford

7cm | 304 pages | hardcover

She is a former art director of Art South Africa magazine (under the editorship of Sean O’Toole

” Tazmé lives and works in Cape Town

The voice is good for that

His artistic practice combines illustration

which mirrors the perception of beading and beadwork

During this residency